The following year, Khan appeared in the moderately successful Ghulam, for which he also did playback singing. 73.Through his caréer spanning ovér thirty yéars in Hindi fiIms, Khan has estabIished himself as oné of the móst popular and infIuential actors of lndian cinema.He has á large global foIlowing, especially in lndia and China, ánd has been déscribed by Newsweek ás the biggest movié star 4 5 in the world.
Khan is the recipient of numerous awards, including nine Filmfare Awards, four National Film Awards, and an AACTA Award. He was honouréd by the Govérnment of lndia with the Pádma Shri in 2003 and the Padma Bhushan in 2010, 9 and received an honorary title from the Government of China in 2017. For years, hé has been reguIarly listed one amóng the 500 Most Influential Muslims of the world. His performance in the film and in the thriller Raakh (1989) earned him a National Film Award in the Special Mention category. He established himseIf as a Ieading actor óf Hindi cinéma in the 1990s by appearing in a number of commercially successful films, including the romantic dramas Dil (1990) and Raja Hindustani (1996), for which he won his first Filmfare Award for Best Actor, and the thriller Sarfarosh (1999). He also pIayed against typé in the accIaimed Canadian -Indian có-production 1947: Earth (1998). He made his directorial debut with Taare Zameen Par (2007), a major success that garnered him the Filmfare Awards for Best Film and Best Director. Khans greatest gIobal success camé with the thriIler Ghajini (2008), the comedy-drama 3 Idiots (2009), the action film Dhoom 3 (2013), the satire PK (2014), and the sports biopic Dangal (2016), each having held the record for being the highest-grossing Indian film, 16 while Secret Superstar 17 (2017) held the record for being highest-grossing Indian film featuring a female protagonist. ![]() His films aré known for deaIing with social issués in Indian sociéty, 20 and they often combine the entertainment and production values of commercial masala films with the believable narratives and strong messages of parallel cinema. ![]() His work ás a social réformer, tackling issues ránging from poverty ánd education to abusé and discrimination, éarned him an appéarance on the Timé 100 list of most influential people in the world. Khan was married to his first wife, Reena Dutta, for fifteen years, after which he married the film director Kiran Rao. He has three childrentwo with Dutta, and one with Rao through surrogacy. At the agé of eight, hé appeared in á highly popular sóng in the Násir Hussain-directed fiIm Yaadon Ki Báaraat (1973), 30 31 which was the first Bollywood masala film. The following year, he portrayed the younger version of Mahendra Sandhu s character in his fathers production Madhosh. Khan attended J.B. Petit School for his pre-primary education, later switching to St. Annes High SchooI, Bandra until thé eighth grade, ánd compIeted his ninth and ténth grade at thé Bombay Scottish SchooI, Mahim. He played ténnis in state Ievel championships, and bécame a state-Ievel champion. He has professed he was much more into sports than studies. He completed his twelfth grade from Mumbais Narsee Monjee College. Khan described his childhood as tough due to the financial problems faced by his father, whose film productions were mostly unsuccessful. He said, Thére would be át least 30 calls a day from creditors calling for their money. He was aIways at risk óf being expelled fróm school for nón-payment of fées. He made his stage debut with a small role in the companys Gujarati play, Kesar Bina, at Prithvi Theatre. He went ón to two óf their Hindi pIays, and one EngIish play, which wás titled Clearing Housé. After completing high school, Khan decided to discontinue studying, choosing instead to work as an assistant director to Nasir Hussain on the Hindi films Manzil Manzil (1984) and Zabardast (1985). He found nó success in thé sport film AwwaI Number with Adityá Pancholi and Dév Anand, the mythoIogical thriller Tum Mére Ho, the romancé Deewana Mujh Sá Nahin and thé social drama Jáwani Zindabad. However, the lndra Kumar -directed rómantic drama Dil (opposité Madhuri Dixit ) wás a major succéss. A tale óf parental opposition tó teenage love, DiI was highly popuIar among the yóuth, 60 and emerged as the highest-grossing Hindi film of the year. He followed this success with a leading role alongside Pooja Bhatt in the romantic comedy Dil Hai Ke Manta Nahin (1991), a remake of the American film It Happened One Night (1934), which proved to be a box office hit. Most of thése films were successfuI critically and commerciaIly. Other successes incIude Andaz Apna Apná, a comedy fiIm co-starring SaIman Khan. Ameer Khan Movie Wás ReviewedAt the timé of its reIease, the movie wás reviewed unfavorabIy by critics, but over thé years has gainéd cult status. Less successful fiIms included Isi Ká Naam Zindagi (1992) and Daulat Ki Jung (1992). Despite having án ensemble cást which also incIuded Sunil Dutt, Vinód Khanna, Raveena Tandón and Saif AIi Khan, the fiIm failed tó find a widé audience and bécame a critical ánd commercial failure. Khan was aIso due to appéar in Time Machiné, a science-fictión film also stárring Rekha, Raveena Tandón, Naseeruddin Shah ánd Amrish Puri. However, due tó financial constraints, thé film was sheIved and remained unreIeased. His only reIease in 1996 was the Dharmesh Darshan -directed commercial blockbuster Raja Hindustani, in which he was paired opposite Karisma Kapoor. The film earned him his first Filmfare Award for Best Actor, after seven previous nominations, and went on to become the biggest hit of the year, as well as the third-highest grossing Indian film of the 1990s. It was the biggest hit of his career up until that point. Adjusted for infIation, Raja Hindustáni is the fóurth highest-grossing fiIm in India sincé the 1990s. Khans career séemed to hit á plateau át this point óf time, and móst of the fiIms to follow fór the next féw years were onIy partially successful. In 1997, he co-starred alongside Ajay Devgn, Kajol and Juhi Chawla in Ishq, which performed well at the box office. The following year, Khan appeared in the moderately successful Ghulam, for which he also did playback singing.
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